![]() ![]() Similarly, writing down your product design ideas, engineering challenges, and product testing data will help you keep track of all of your ideas, what you have already tried, and how well a particular design performed. With a complete record of the project in your lab notebook, you can look back at your notes later if a question arises or if you decide to pursue a related project based on something you observed. By recording the steps of your procedure, your observations, and any questions that arise as you go, you create a record of the project that documents exactly what you did and when you did it. Many science projects require a number of steps and multiple trials. Used properly, your lab notebook contains a detailed and permanent account of every step of your project, from the initial brainstorming to the final data analysis and research report. A lab notebook is an important part of any research or engineering project. Whether you are a research scientist, an engineer, or a first-time science fair student, you should use a lab notebook to document your science investigations, experiments, and product designs. At $19, it's a pricey upgrade-but it's a solid choice for when you need a notebook that's better than good enough.Overview Keep a Great Science or Engineering Project Laboratory Notebook With Fay’s remake, devotees of the form now have a high-performance option-something with the look, history, and charm of a traditional composition book, but without the wimpy materials and stubborn binding. For going on a century, composition notebooks have been acceptable. “There was never any pressure to change it,” he says. Jim Lucey, Roaring Springs’ head of marketing, says the company’s marbled pattern, which was designed more than 80 years ago, looks more or less the same today as it did in the 1930s. Today you can find the notebooks in office supply stores for a couple bucks, their design largely unchanged since the early days of pseudo marbling. By the time companies like Roaring Spring began manufacturing marbled notebooks in the early 20th century, the pattern was deeply ingrained in notebook culture. "The people producing them wanted to produce them as cheaply as possible, but they also wanted them to have some artistry," Berger says. Pseudo marbling was less expensive than covering a book in leather and looked nicer than leaving the cover pages blank. This cheaper, faster method led to the widespread use of marbling pattern on blank notebooks and book covers. “It’s not very pretty.”īy the 1830s, paper makers in France and Germany had developed a new industrialized processes called pseudo marbling. “If you just put pigments down and let it go at random, you save a lot of time and money, but you produce a sheet with no real pattern,” says Sidney Berger, an expert in decorative paper. Instead of using a comb or pick to create intricate watercolor patterns, paper marblers would dip a straw brush in pigment and splatter it over the water. “It actually helps offset the weight of the black spine,” Fay says.Įventually, marbled paper found its way west along the silk route, where artists would replicate the process in less painstaking detail. And the white, rectangular label, which includes hand-drawn lettering that spells out Comp, is right-adjusted rather than centered. He covered the exposed spine in a black Italian cialux cloth to increase its durability. Fay replaced the center-sewn binding with a high-quality lay-flat binding, which means no more paper bulge. The 148 pages (lined or unlined) are smooth and uncoated, with a larger header space for creating a clear visual hierarchy while writing. He uses them ("it's sort of this thing-everyone on our team has one") he collects them (“I’m about to acquire two notebooks from France that are just exquisite”) and, for the past year, he's been working like hell to reform them.įay calls his reimagined notebook "Comp." The update, for which he's now raising funds on Kickstarter, looks like an old-school composition notebook, only better. ![]() "There's no pressure to make every page a masterpiece."Īron Fay, another designer at Pentagram, is obsessed with composition notebooks, too. "I like the idea that they're not about sitting in a museum and sketching," says Michael Bierut, a partner at design studio Pentagram who has filled- and kept-112 of the unpretentious black and white notebooks in the course of his career. The artist Roy Lichtenstein canonized the object with his Composition II painting. Eddie Vedder allegedly scribbles his lyrics in one. Jean-Michel Basquiat was known for writing in a Mead composition notebook. But designers and artists love them just the same. Their covers fray, ink bleeds through their whisper-thin pages, and it’s next to impossible to get them to lie flat. Composition notebooks are not great notebooks. ![]()
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